Description
Vivaldi / Liszt Ferenc Chamber Orchestra – Lute Concertos & Trios / Hungaroton CD Audio 1978
Made in EU
Antonio Lucio Vivaldi. Born in Venice, the capital of the Venetian Republic, Vivaldi is regarded as one of the greatest Baroque composers. His influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers and was paramount in the development of Johann Sebastian Bach's instrumental music and the French concerto (Michel Corrette, Jean-Joseph de Mondonville, Louis-Nicholas Clérambault).
Tracklist:
| D-dur Concerto Lantra, Vonószenekarra És Csembalóra. F. XII.No.15 | (11:33) | ||
| A1 | I. [Allegro Giusto] | ||
| A2 | II. Largo | ||
| A3 | III. Allegro | ||
| D-moll Concerto Viola D'amore-ra, Lantra, Vonószenekarra És Csembalóra. F. XII.No.38 | (12:23) | ||
| A4 | I. Allegro | ||
| A5 | II. Largo | ||
| A6 | III. Allegro | ||
| G-moll Trió Hegedüre, Lantra És Continuóra. F.XVI.No.4 | (10:17) | ||
| B1 | I. Andante Molto | ||
| B2 | II. Larghetto | ||
| B3 | III. Allegro | ||
| C-dur Trió Hegedüre, Lantra És Continuóra. F.XVI.No.3 | (11:38) | ||
| B4 | I. Allegro Non Molto (Quasi Andante) | ||
| B5 | II. Larghetto | ||
| B6 | III. Allegro |
- Cello – Mária Frank (tracks: B1 to B3)
- Composed By – Antonio Vivaldi
- Design – Zoltán Herpai
- Engineer – Judit Lukács
- Harpsichord – Zsuzsa Pertis
- Leader – János Rolla (tracks: A1 to A3)
- Lute – Dániel Benkő
- Orchestra – Liszt Ferenc Kamarazenekar (tracks: A1 to A3)
- Photography – Tamás Diner
- Producer – Jenö Simon (tracks: A1 to A3), János Mátyás (tracks: B1 to B3)
- Recording Supervisor [Artistic Director] – Frigyes Sándor (tracks: A1 to A3)
- Viola d'Amore – László Bársony (tracks: A1 to A3)
- Violin – János Rolla (tracks: B1 to B3)
Includes German, Russian, Hungarian and English liner notes on back cover.
This is the ONLY LP release of this performance that utilized the ORIGINAL ANALOG MASTER SESSION TAPES. Hungaraton never allowed their original master tapes to be sent to other record manufacturers for reissuing LPs. Therefore, this LP release has the sound closest to the original sessions. Absolutely Glorious. Other releases, such as the one on 180-gram LP from Boxter Records, were not mastered from the original analog master tapes and doesn't sound as rich and well defined.
This is the ONLY LP release of this performance that utilized the ORIGINAL ANALOG MASTER SESSION TAPES. Hungaraton never allowed their original master tapes to be sent to other record manufacturers for reissuing LPs. Therefore, this LP release has the sound closest to the original sessions. Absolutely Glorious. Other releases, such as the one on 180-gram LP from Boxter Records, were not mastered from the original analog master tapes and doesn't sound as rich and well defined.
