Description
Vivaldi - Concertos Pour Violoncelle = Cello Concertos / Roel Dieltiens, Ensemble Explorations / Harmonia Mundi Audio CD 1998 / HMC 901655
UPC 794881441525
A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments.
These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Many post-World War II composers (Shostakovich, Walton, Ligeti, Britten, Dutilleux, Lutoslawski and Penderecki among others) have written at least one.
One special consideration composers must take with the cello (as well as all instruments with a low range) is with the issue of projection. Unlike instruments like the violin, whose high range projects fairly easily above the orchestra, the cello's lower notes can be easily lost when the cello is not playing a solo or near solo. Because of this, composers have had to deliberately pare down the orchestral component of cello concertos while the cello is playing in the lower registers.
Label: | Harmonia Mundi – HMC 901655 |
---|---|
Format: |
CD, Album
|
Country: | Germany |
Released: |
1998 |
Genre: | Classical |
Style: | Baroque |
Tracklist:
Concertos Pour Violoncelle, Cordes Et Basse Continue | |||
Concerto En Ut Mineur / C Minor / C-moll, RV 401 (F. III Nº 1) | (11:05) |
1 | Allegro Non Molto | 4:42 |
2 | Adagio | 3:16 |
3 | Allegro Ma Non Molto | 3:07 | |
Concerto En Sol Mineur / G Minor / G-moll, RV 417 (F. III Nº 15) |
(9:42) |
4 | Allegro | 3:15 |
5 | Andante | 3:40 |
6 | Allegro | 2:47 | |
Concerto En Si Bémol Majeur / B Flat Major / B-dur, RV 423 (F. III Nº 25) |
(9:43) |
7 | Allegro | 3:42 |
8 | Largo | 2:30 |
9 | Allegro | 3:31 | |
Concerto En Ré Mineur / D Minor / D-moll, RV 405 (F. III Nº 24) |
(8:23) |
10 | Allegro | 3:00 |
11 | Adagio | 2:58 |
12 | Allegro | 2:25 | |
Concerto En Ut Majeur / C Major / C-dur, RV 400 (F. III Nº 3) |
(9:34) |
13 | Allegro | 2:53 |
14 | Largo | 4:25 |
15 | Allegro Non Molto | 2:16 | |
Concerto En La Mineur / A Minor / A-moll. RV 419, (F. III Nº 10) |
(8:37) |
16 | Allegro | 3:22 |
17 | Andante | 3:51 |
18 | Allegro | 1:24 | |
Concerto En Sol Majeur / G Majeur / G-dur, RV 415 (F. III Nº 22) |
(9:41) |
19 | Allegro | 3:02 |
20 | Siciliano | 3:47 |
21 | Alla Breve | 2:52 |
- Cello – Richte van der Meer, Roel Dieltiens (tracks: 1 to 9, 13 to 18)
- Cello [Violoncelle Piccolo] – Roel Dieltiens (tracks: 10 to 12, 19 to 21)
- Composed By – Antonio Vivaldi
- Contrabass – Anthony Woodrow
- Design, Layout – Relations, Arles
- Ensemble – Ensemble Explorations
- Harpsichord, Organ – Attilio Cremonesi
- Liner Notes [English Translation] – Douglas Martin (2)
- Liner Notes [French] – Marc Vanscheeuwijck
- Liner Notes [German Translation] – Heidi Fritz
- Lute, Guitar – Mike Fentross
- Painting, Cover – Tiepolo
- Recorded By [Prise De Son], Directed By [Direction Artistique] – Jean-Martial Golaz
- Viola – Frans Vos
- Violin – Christine Busch, Natsumi Wakamatsu