Description
The Very Best Of Lucia Popp / EMI Classics 2x Audio CD Stereo 2003
UPC 724358510225
| Label: | EMI Classics – 724358510225 |
|---|---|
| Format: |
2 x CD, Compilation, Stereo
|
| Country: | Europe |
| Released: |
2003 |
| Genre: | Classical |
| Style: | Baroque, Classical, Romantic, Neo-Romantic, Opera, Oratorio, Choral, Operetta |
Tracklist:
| Antonín Dvořák | Rusalka |
| 1-1 | – | Song to the Moon (Act I) | 5:53 |
|
|
The Bartered Bride |
| 1-2 | – | Should I Ever Learn (Kdybych Se Co Takového) (Act I) | 3:49 |
|
|
Dalibor |
| 1-3 | – | How Confused I Feel (Jak Je Mi?) (Act II) | 2:27 |
|
|
Peer Gynt – Incidental Music to Ibsen's Play |
| 1-4 | – | Solveig's Song | 5:44 |
| 1-5 | – | Solveig's Cradle Song | 4:52 |
|
|
Carmina Burana |
| 1-6 | – | Amor Volat Undique | 3:17 |
| 1-7 | – | Stetit Puella | 2:03 |
| 1-8 | – | In Trutina | 2:09 |
|
|
Vier Letzte Lieder |
| 1-9 | – | Frühling | 3:51 |
| 1-10 | – | September | 6:16 |
| 1-11 | – | Beim Schlafengehen | 6:21 |
| 1-12 | – | Im Abendrot | 8:21 |
|
|
Symphony No. 4 In G |
| 1-13 | – | IV. Sehr Behaglich «Wir genießen die himmlischen Freuden» | 9:08 |
|
|
Eugene Onegin |
| 1-14 | – | Tatiana's Letter Scene (Act I) | 12:06 |
|
|
Arias from Opera and Oratorio |
| 2-1 | – | Un Cenno Leggiadretto (Serse, Act I) | 3:46 |
| 2-2 | – | Ho Perduto Il Caro Sposo (Rodelinda, Act I ) | 4:54 |
| 2-3 | – | O Had I Jubel's Lyre (Joshua, Act III) | 2:49 |
|
|
Vesperae Solennes De Confessore, K.399 |
| 2-4 | – | Laudate Dominus | 5:13 |
|
|
Die Entfürung Aus Dem Serail |
| 2-5 | – | Welche Wonne, Welche Lust (Act II) | 2:30 |
|
|
Le Nozze di Figaro |
| 2-6 | – | Porgi, Amor (Act II) | 3:46 |
| 2-7 | – | Voi Che Sapete (Act II) | 2:45 |
| 2-8 | – | Giunse Alfin Il Momento ... Deh Vieni, Non Tardar (Act III) | 4:51 |
|
|
Don Giovanni |
| 2-9 | – | Crudele? ... Non Mi Dir (Act II) | 6:33 |
|
|
Così Fan Tutte |
||
| 2-10 | – | Come Scoglio (Act I) |
| 4:29 |
| 2-11 | – | Una Donna a Quindici Anni (Act II) |
| 4:06 | |||
|
|
Die Zauberflöte |
||
| 2-12 | – | Der Hölle Rache (Act II) |
| 3:11 |
| 2-13 | – | Ach, Ich Fühl's |
| 4:12 | ||
|
|
Petite Messe Solennelle |
| 2-14 | – | Crucifixus | 3:02 |
|
|
3 Lieder |
| 2-15 | – | Die Forelle, D.550 |
| 2:11 |
| 2-16 | – | Gretchen Am Spinnrade, D.118 |
| 3:40 |
| 2-17 | – | An Sylvia, D.891 |
|
2:50
|
||
| 2-18 | Richard Strauss– | Zueignung, Op.10, No.1 |
|
1:41
|
||
| Franz Lehár | Die Lustige Witwe |
| 2-19 | – | Es Lebt' Eine Vilja (Act II) | 5:44 |
|
|
Die Fledermaus |
| 2-20 | – | Klänge Der Heimat (Act II) | 4:30 |
- Chorus – New Philharmonia Chorus (tracks: 1-6 to 1-8), Ambrosian Opera Chorus* (tracks: 2-19), Ambrosian Singers* (tracks: 2-4), Wandsworth School Boys' Choir (tracks: 1-6 to 1-8)
- Composed By – Antonín Dvořák, Bedřich Smetana, Carl Orff, Edvard Grieg, Franz Lehár, Franz Schubert, George Frideric Handel*, Gioacchino Rossini, Gustav Mahler, Johann Strauss II, Pyotr Ilyich Tchaikovsky, Richard Strauss, Wolfgang Amadeus Mozart
- Conductor – Bernard Haitink (tracks: 2-13), Georg Fischer (tracks: 2-1 to 2-4), Josef Krips (tracks: 2-5), Klaus Tennstedt (tracks: 1-9 to 1-13), Leonard Slatkin (tracks: 2-6 to 2-10), Otto Klemperer (tracks: 2-11, 2-12), Placido Domingo (tracks: 2-20), Rafael Frühbeck De Burgos (tracks: 1-6 to 1-8), Sir Neville Marriner (tracks: 1-4, 1-5, 2-19), Stefan Soltesz (tracks: 1-1 to 1-3, 1-14), Stephen Cleobury (tracks: 2-14)
- Harmonium – David Briggs (5) (tracks: 2-14)
- Orchestra – English Chamber Orchestra (tracks: 2-1 to 2-4), London Philharmonic Orchestra (tracks: 1-9 to 1-13), Münchner Rundfunkorchester (tracks: 1-1 to 1-3, 1-14, 2-6 to 2-10, 2-20), New Philharmonia Orchestra (tracks: 1-6 to 1-8, 2-11), Philharmonia Orchestra (tracks: 2-12), Sinfonie-Orchester Des Bayerischen Rundfunks* (tracks: 2-13), Academy of St. Martin in the Fields* (tracks: 1-4, 1-5, 2-19), Wiener Philharmoniker (tracks: 2-5)
- Organ – Leslie Pearson (tracks: 2-1 to 2-4)
- Piano – Katia Et Marielle Labèque (tracks: 2-14), Wolfgang Sawallisch (tracks: 2-15 to 2-18)
- Sleeve Notes – Alan Blyth
- Soprano Vocals – Lucia Popp
