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The Glenn Gould Edition / Schoenberg: Lieder - Ellen Faull, Helen Vanni, Donald Gramm, Cornelius Opthof, Glenn Gould ‎/ Sony Classical ‎2x Audio CD 1995 / SM2K 52667

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5099705266724
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5099705266724
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The Glenn Gould Edition / Schoenberg: Lieder - Ellen Faull, Helen Vanni, Donald Gramm, Cornelius Opthof, Glenn Gould ‎/ Sony Classical ‎2x Audio CD 1995 / SM2K52667

UPC 5099705266724

 

Product Details: 

Label: Sony Classical ‎– SM2K 52667
Series: The Glenn Gould Edition
Format: 2 × CD
Country: Europe
Released: 1995
Genre: Classical
Style: Twelve-tone, Modern
 
 

 

Tracklist:

  Zwei Gesänge Op. 1, Für Eine Baritonstimme Und Klavier
Baritone Vocals – Donald Gramm, Text By – Karl Von Levetzow
 
1-1 1. Dank 5:55
1-2 2. Abschied 8:45
 

 

Vier Lieder Op. 2, Für Eine Singstimme Und Klavier

Soprano Vocals – Ellen Faull
 
1-3 1. Erwartung
Text By – Richard Dehmel
4:13
1-4 2. Schenk Mir Deinen Goldenen Kamm
Text By – Richard Dehmel
3:43
1-5 3. Erhebung
Text By – Richard Dehmel
1:08
1-6 4. Waldsonne
Text By – Johannes Schlaf
2:50
 

 

»Das Buch Der Hängenden Gärten« Op. 15

Mezzo-soprano Vocals – Helen Vanni, Text By – Stefan George
 
1-7 I. Unterm Schutz Von Dichten Blättergründen 2:37
1-8 II. Hain In Diesen Paradiesen 1:18
1-9 III. Als Neuling Trat Ich Ein In Dein Gehege 1:41
1-10 IV. Da Meine Lippen Reglos Sind Und Brennen 1:28
1-11 V. Saget Mir Auf Welchem Pfade 1:12
1-12 VI. Jedem Werke Bin Ich Fürder Tot 0:59
1-13 VII. Angst Und Hoffen Wechselnd Mich Beklemmen 1:09
1-14 VIII. Wenn Ich Heut Nicht Deinen Leib Berühre 0:57
1-15 IX. Streng Ist Uns Das Gkück Und Spröde 1:23
1-16 X. Das Schöne Beet Betrachte Ich Mir Im Harren 2:16
1-17 XI. Als Wir Hinter Dem Beblümten Tore 3:24
1-18 XII. Wenn Sich Bei Heilger Ruh In Tiefen Matten 1:59
1-19 XIII. Du Lehntest Wider Einer Silberweide 1:33
1-20 XIV. Sprich Nicht Mehr Von Dem Laub 0:40
1-21 XV. Wir Bevölkerten Die Abend-Düsteren Lauben 6:11
 

 

Sechs Lieder Op. 3, Für Eine Mittiere Singstimme Und Klavier

Mezzo-soprano Vocals – Helen Vanni
 
2-1 1. Wie Georg Von Frundsberg Von Sich Selber Sang
Baritone Vocals – Donald Gramm, Text By [From: »Des Knaben Wunderhorn«] – Anonymous, Achim von Arnim, Clemens Brentano
2:21
2-2 2. Die Aufgeregten
Text By – Gottfried Keller
2:28
2-3 3. Warnung
Text By – Richard Dehmel
1:41
2-4 4. Hochzeitslied
Text By – Jens Peter Jacobsen
1:52
2-5 5. Geübtes Herz
Text By – Gottfried Keller
2:27
2-6 6. Freihold
Text By – Hermann Lingg
1:56
 

 

Zwei Balladen Op. 12, Für Gesang Und Klavier

Mezzo-soprano Vocals – Helen Vanni
 
2-7 1. Jane Grey
Text By – Heinrich Ammann
6:45
2-8 2. Der Verlorene Haufen
Text By – Viktor Klemperer
5:07
 

 

Drei Lieder Op. 48, Für Tiefe Stimme Und Klavier

Mezzo-soprano Vocals – Helen Vanni, Text By – Jakob Haringer
 
2-9 1. Sommermüd 2:19
2-10 2. Tot 1:32
2-11 3. Mädchenlied 2:05
 

 

Zwei Lieder Op. 14, Für Eine Singstimme Und Klavier

Mezzo-soprano Vocals – Helen Vanni
 
2-12 1. Ich Darf nicht Dankend
Text By – Stefan George
2:16
2-13 2. In Diesen Wintertagen
Text By – Georg Henckel
3:20
 

 

Zwei Lieder Op. Post., Für Eine Singstimme Und Klavier

Mezzo-soprano Vocals – Helen Vanni
 
2-14 1. Gedenken
Text By – Anonymous
2:31
2-15 2. Am Strande
Text By – Rainer Maria Rilke
1:31
 

 

Acht Lieder Op. 6, Für Eine Singstimme Und Klavier

Mezzo-soprano Vocals – Helen Vanni
 
2-16   
1. Traumleben
Text By – Julius Hart
3:01
2-17 2. Alles
Text By – Richard Dehmel
2:56
2-18 3. Mädchenlied
Text By – Paul Remer
1:22
2-19 4. Verlassen
Text By – Hermann Conradi
4:03
2-20 5. Ghasel
Text By – Gottfried Keller
2:05
2-21 6. Am Wegrand
Text By – John Henry Mackay
1:16
2-22 7. Lockung
Text By – Kurt Aram
1:11
2-23 8. Der Wanderer
Text By – Friedrich Nietzsche
4:52

 

 

Review:

Schönberg's early Lieder Op.1,2&3 sounds very much like crossover between Wagner and R.Strauß. Glenn Gould is a superb accompanist capturing subtlety and deep Romanticism of these songs. Originally he wanted to record all Schönberg Lieder with Schwarzkopf (the soprano he greatly admired) but they (or rather she) fell out due to interpretative issues when they recorded Strauß Lieder. She could not stand Gould adding some notes to piano part and not following composer's directions. What a shame! A classical case of snobbish conservatism spoiling a great opportunity to explore other interpretative possiblities!
Fortunately, soprano Ellen Faull, mezzo Helen Vanni, baritone Donald Gramm and Cornelis Opthof are all able and fine singers, their German pronounciation is occasionally very English according to my German wife, though.
Listening to all these Lieder, one can appreciate seamless continuity between Wagnerian Romanticism and gradual transition to atonal music. There is no distinction in the way Gould treats the both earlier and later Lieder. Highly recommendable alongside his Hindemith Lieder recording

 

 

About Glenn Herbert:

Glenn Herbert Gould (25 September 1932 – 4 October 1982) was a Canadian pianist who became one of the best-known and most-celebrated classical pianists of the 20th century. He was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Gould's playing was distinguished by a remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music.

Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Although his recordings were dominated by Bach and Beethoven, Gould's repertoire was diverse, including works by Mozart, Haydn, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. Gould was known for his eccentricities, from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. He stopped giving concerts at the age of 31 to concentrate on studio recording and other projects.

Gould was also a writer, broadcaster, composer and conductor. He was a prolific contributor to musical journals, in which he discussed music theory and outlined his musical philosophy. He performed on television and radio, and produced three musique concrète radio documentaries called the Solitude Trilogy, about isolated areas of Canada.

 

 

More Details: 

  • Baritone Vocals – Cornelius Opthof (tracks: 2-7, 2-8), Donald Gramm (tracks: 1-1, 1-2; 2-1 to 2-6)
  • Composed By – Arnold Schoenberg
  • Cover [Design] – C.C. Garbers
  • Engineer [Reissue] – Richard King
  • Liner Notes [English Translation] – Stewart Spencer
  • Liner Notes [French Translation] – Odile Demange
  • Liner Notes [German Original] – Michael Stegemann
  • Liner Notes [Italian Translation] – Claudio M. Perselli*
  • Mezzo-soprano Vocals – Helen Vanni (tracks: 1-7 to 1-21; 2-1 to 2-23)
  • Photography By – Don Hunstein
  • Piano – Glenn Gould
  • Producer – Andrew Kazdin (tracks: 1-1, 1-2, 1-7 to 1-21; 2-1 to 2-23), Thomas Frost (tracks: 1-1 to 1-6; 2-1 to 2-6)
  • Producer [Reissue], Remix – Louise De La Fuente
  • Soprano Vocals – Ellen Faull (tracks: 1-3 to 1-6)
  • Translated By [German Song Texts to English] – Philip L. Miller
  • Translated By [German Song Texts to French] – Françoise Ferlan
  • Translated By [German Song Texts to Italian] – Giangiacomo Feltrinelli

 

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