Description
Szell Conducts Richard Strauss - Till Eulenspiegel, Don Juan, Death And Transfiguration / The Cleveland Orchestra / The Great Columbia Stereo Recordings / Columbia Odyssey LP
Y 30313
Till Eulenspiegel (German pronunciation: [tɪl ˈʔɔʏlənˌʃpiːɡəl]; Low German: Dyl Ulenspegel [dɪl ˈʔuːlnˌspeɪɡl̩]) is the protagonist of a German chapbook published in 1515 (a first edition of c. 1510/12 is preserved fragmentarily) with a possible background in earlier Middle Low German folklore.
Eulenspiegel is a native of the Duchy of Brunswick-Lüneburg whose picaresque career takes him to many places throughout the Holy Roman Empire. He plays practical jokes on his contemporaries, exposing vices at every turn. His life is set in the first half of the 14th century, and the final chapters of the chapbook describe his death from the plague of 1350.
Don Juan, Op. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. Strauss reprinted three excerpts from the play in his score. In Lenau's rendering, Don Juan's promiscuity springs from his determination to find the ideal woman. Despairing of ever finding her, he ultimately surrenders to melancholy and wills his own death. It is singled out by Carl Dahlhaus as a "musical symbol of fin-de-siècle modernism", particularly for the "breakaway mood" of its opening bars.
Death and Transfiguration (German: Tod und Verklärung), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch.
The music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
Tracklist:
A1 | Till Eulenspiegel's Merry Pranks, Op. 28 |
14:15 | |
A2 | Don Juan, Op. 20 | 15:50 | |
B1 |
Death And Transfiguration, Op. 24 | 23:43 |
- Composed By – Richard Strauss
- Conductor – George Szell
- Cover – Henrietta Condak
- Orchestra – The Cleveland Orchestra
- Producer – Howard Scott
- Sleeve Notes – Klaus G. Roy
Box #101