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Sciarrino, Salvatore: I FUOCHI OLTRE LA RAGIONE, PER ORCHESTRA (1977) / The Fires of Change: Sciarrino's Symphony Pushes the Boundaries of Music / Ricordi / 2001

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$699.99
SKU:
9790041379098
UPC:
9790041379098
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20.00 Ounces
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Description

Sciarrino, Salvatore: I FUOCHI OLTRE LA RAGIONE, PER ORCHESTRA (1977) / The Fires of Change: Sciarrino's Symphony Pushes the Boundaries of Music / Ricordi / 2001

 

Setting: Orchestra

Weight: 0.27 kg

Published: 2001

Publisher: Ricordi

Item number: NR13790900

Other reference: NR 137909

ISMN: 9790041379098 / 979-0041379098

 

Hangszer/letét: Zenekar

Súly: 0,27 kg

Első megjelenés: 2001

Kiadó: Ricordi

Katalógusszám: NR13790900

Más kiadói szám: NR 137909

 

 

I Fuochi Oltre la Ragione, translated to The Fires Beyond Reason, is a composition for orchestra by Salvatore Sciarrino. Written in 1977, it was published by Ricordi in 2001. 

The piece is known for its experimental and avant-garde approach to orchestration and sound production. Sciarrino employs unconventional techniques for the instruments, such as bowing the strings of the double bass with a cello bow, creating a unique and otherworldly sound. The piece also features extended techniques for the brass section, such as flutter-tonguing and muted tones. 

The title of the work, The Fires Beyond Reason, suggests a theme of passion and intensity. The composition does indeed convey a sense of urgency and emotional turmoil. The music builds and swells, creating a dramatic tension that never quite resolves, leaving the listener with a sense of unresolved yearning. 

Overall, I Fuochi Oltre la Ragione is a unique and challenging work that pushes the boundaries of traditional orchestral music. It is a testament to Sciarrino's innovative approach to composition and his willingness to take risks in order to create something truly original and memorable. 

  • The piece is structured in a single movement, but it can be divided into three broad sections. The first section is characterized by its sparse orchestration and eerie atmosphere. The second section is more agitated and dramatic, with the orchestra building to a climax. The third section is a return to the sparse orchestration of the first section, but with a sense of closure and resolution.
  • Sciarrino's use of unconventional scoring and extended techniques creates a unique and otherworldly sound. The piece is full of unexpected sonic moments, such as the aforementioned double bass bowed with a cello bow, or the use of flutter-tonguing and muted tones in the brass section.
  • I Fuochi Oltre la Ragione is a challenging piece to listen to, but it is also deeply rewarding. The music is complex and emotionally charged, and it demands the listener's full attention.

 

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