Description
Peter Tschaikowsky: Piano Concerto No. 1, Sergei Rachmaninov: 5 Préludes - Sviatoslav Richter, Vienna Symphony Orchestra, Herbert von Karajan / Deutsche Grammophon Audio CD 1987
F28G 22005
UPC: 028941906823
Made in Japan
| Label: | Deutsche Grammophon – F28G 22005 |
|---|---|
| Series: | Galleria |
| Format: |
CD, Compilation
|
| Country: | Japan |
| Released: |
1987 |
| Genre: | Classical |
| Style: | Romantic |
Tracklist:
| Konzert Für Klavier Und Orchester Nr. 1 B-Moll Op. 23 | (36:11) | ||
| 1 | 1. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito | 22:07 | |
| 2 | 2. Andantino Semplice - Prestissimo - Tempo I | 6:55 | |
| 3 | 3. Allegro Con Fuoco | 7:09 | |
|
Préludes |
|||
| 4 | No. 12 C-Dur Op. 32 No. 1 In C Major - Allegro Vivace | 1:12 | |
| 5 | No. 13 B-Moll Op. 32 No. 2 In B Flat Minor - Allegretto | 3:07 | |
| 6 | No. 3 B-Dur Op. 23 No. 2 In B Flat Major - Maestoso | 3:15 | |
| 7 | No. 6 G-Moll Op. 23 No. 5 In G Minor - Alla Marcia | 3:41 | |
| 8 | No. 8 C-Moll Op. 23 No. 7 In C Minor - Allegro | 2:22 |
- Art Direction – Hartmut Pfeiffer
- Composed By – Peter Tschaikowsky (tracks: 1 to 3), Sergei Rachmaninov (tracks: 4 to 8)
- Conductor – Herbert von Karajan (tracks: 1 to 3)
- Cover [Lithograph] – Jean-Paul Donadini
- Engineer [Balance] – Günter Hermanns (tracks: 1 to 3), Heinz Wildhagen (tracks: 4 to 8)
- Liner Notes [English] – Richard Wigmore
- Liner Notes [French] – André Lischke
- Liner Notes [German to Italian Translation] – Adriano Cremonese
- Liner Notes [German] – Heinz Becker (3)
- Orchestra – Wiener Symphoniker (tracks: 1 to 3)
- Piano – Sviatoslav Richter
- Producer – Prof. Elsa Schiller
- Recording Supervisor – Hans Weber (tracks: 4 to 8), Otto Ernst Wohlert (tracks: 1 to 3)
スヴャトスラフ・リヒテル(ピアノ) Svjatoslav Richter, Piano
ウィーン交響楽団 〔チャイコフスキー) Vienna Symphony Orchestra (Tchaikovsky)
指揮: ヘルベルト・フォン・カラヤン
Conductor: Herbert von Karajan
録音:1962年9月 ウィーン
1959年4月 ワルシャワ
POLYDOR K.K., Made in Japan 1960/62 Κ.Α 8705
Sergei Rachmaninoff wrote a number of preludes, all for solo piano. His most important works in this genre are the 24 preludes that cover all 24 major and minor keys. These were, however, written and published at different times, not as a unified set. Of all the composers who wrote sets of 24 pieces in all the keys, Rachmaninoff seems to be the only one who did not originally set out with such a goal in mind. There is not an order to the tonalities of the preludes, like that seen in Bach or Chopin's preludes (in which the keys were organized chromatically and around the circle of fifths, respectively.) Rachmaninoff also wrote three other individual preludes.
SPECIAL #Hong Kong. 23
