Description
Masters of American Music: Count Basie - Swingin' the Blues / Directed by Matthew Seig / Written by Albert Murray / Produced by Toby Byron & Richard Saylor / DVD
Format: NTSC
Run time: 56 Minutes
UPC: 880242571489
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : Yes
- MPAA rating : NR (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 0.25 inches; 2.61 Ounces
- Item model number : 880242571489
- Director : Matthew Sieg
- Media Format : Multiple Formats, Color, NTSC, Subtitled
- Run time : 56 minutes
- Release date : March 30, 2010
- Actors : Count Basie, Harry Edison, Al Grey, Illinois Jacquet, Jay McShann
- Subtitles: : French, German
- Language : German (PCM Mono), French (PCM Mono), English (PCM Mono)
- Studio : EuroArts
- Number of discs : 1
A leading musician of the swing era and an outstanding representative of the big band style, Count Basie was an eminent bandleader and jazz pianist. He led one of the most enduring swing bands of all time; no other musician was ever more committed to stomping, shouting, swinging, jumping and dragging away the blues than Count Basie. In Swingin' the Blues, a distinguished group of Basie alumni including early band stars Harry 'Sweets' Edison, Earle Warren and Claude Williams, and later stars like Illinois Jacquet, Buddy Tate and Joe Williams lend their insights. The film is generously supported by
vintage performance footage beginning in the 1930s and master recordings of the greatest Basie sessions.
A master of simplicity and straightforward jazz piano, Count Basie's approach was minimalist and direct. He was a master of note conservation, never cluttering up his sound with two notes when one would do. This stripped-down, "one note" style of composition soon became his hallmark: an upbeat swinging sound that lead to outstanding levels of commercial success for Basie and his ever-changing orchestra. Although best known during the big band era, after the war, Basie stayed musically relevant by incorporating bebop--albeit in a more controlled and measured fashion than some musical experimentalists like Dizzy Gillespie or Charlie Parker did--personally leading the band all the way into the 1970s.
As documentaries go, this isn't the most exhaustive or authoritative take on the musician, especially not Basie as an individual or providing any insight into his personal life. Audiences can expect a showcase of talent through black-and-white performance clips of Basie and his orchestra, some brief biographical tidbits here and there, and a whole lot of old men reminiscing. A sizable hunk of the film is devoted to round table footage between surviving elderly members of Basie's orchestra, fondly discussing the band leader and his musical talent. I enjoyed the old television footage reels with Basie smoking in interviews towards the later years in his career. The man had a magnetic personality; he sat and tickled the keys casually, almost idly, sporting an ear-to-ear grin. This is a man who loved his job.
Narrated by a raspy Roscoe Lee Browne, Count Basie: Swingin' the Blues may be too short to be considered the definitive treatment of Basie. Still, the film does the best it can with the format, packing in a breakneck summary of the man's professional career spanning five decades. Basie had an amazing stable of musicians playing under his direction over the years: Harry "Sweets" Edison, Buck Clayton, Lester Young, Herschel Evans, Jimmy Rushing, Joe Williams, even the legendary Billie Holiday (for a short time).
