Description
Ludwig van Beethoven – Leonore - Urfassung 1805 / Ludwig van Beethoven Gesamtausgabe / ETERNA 3x LP Stereo
826 831-833
Fidelio (/fɪˈdeɪljoʊ/;German: [fiˈdeːlio]), originally titled Leonore, oder Der Triumph der ehelichen Liebe (Leonore, or The Triumph of Marital Love), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as Leonore.
The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring contemporary political movements in Europe, such topics are typical of Beethoven's "middle period". Notable moments in the opera include the "Prisoners' Chorus" (O welche Lust—"O what a joy"), an ode to freedom sung by a chorus of political prisoners, Florestan's vision of Leonore come as an angel to rescue him, and the scene in which the rescue finally takes place. The finale celebrates Leonore's bravery with alternating contributions of soloists and chorus.
Tracklist:
Ouvertüre (Nr. 2) |
(14:05) | ||
A1 | Adagio | ||
A2 | Allegro | ||
Erster Aufzug |
|||
A3 | Nr. 1 Arie (Marzelline) O Wär Ich Schon Mit Dir Vereint |
4:35 | |
A4 | Nr. 2 Duett (Marzelline, Jaquino) Jetzt, Schätzchen, Jetzt Sind Wir Allein |
5:05 | |
B1 | Nr. 3 Terzett (Marzelline, Jaquino, Rocco) Ein Mann Ist Bald Genommen |
3:40 | |
B2 | Nr. 4 Quartett (Marzelline, Leonore, Jaquino, Rocco) Mir Ist So Wunderbar |
4:55 | |
B3 | Nr. 5 Arie (Rocco) Hat Man Nicht Auch Gold Beineben |
2:50 | |
B4 | Nr. 6 Terzett (Marzelline, Leonore, Rocco) Gut, Söhnchen, Gut, Hab Immer Mut |
7:10 | |
Zweiter Aufzug |
|||
C1 | Nr. 7 Marsch - Vivace |
2:00 | |
C2 | Nr. 8 Arie (Pizarro) Mit Chor - Ha, Welch Ein Augenblick! |
3:00 | |
C3 | Nr. 9 Duett (Pizarro, Rocco) Jetzt, Alter, Jetzt Hat Es Eile! |
5:00 | |
C4 | Nr. 10 Duett (Marzelline, Leonore) Um In Der Ehe Froh Zu Leben |
6:10 | |
C5 | Nr. 11 Rezitativ Und Arie (Leonore) Ach, Brich Noch Nicht, Du Mattes Herz! |
8:15 | |
D1 | Nr. 12 Finale (Gefangene, Leonore, Rocco, Marzelline, Pizarro) O Welche Lust, In Freier Luft Den Atem Leicht Zu Heben! |
19:05 | |
Dritter Aufzug |
|||
E1 | Nr. 13 Introduktion Und Arie (Florestan) Gott! Welch Dunkel Hier! O Grauenvolle Stille! |
11:00 | |
E2 | Nr. 14 Melodram Und Duett (Leonore, Rocco) Wie Kalt Ist es / Nur Hurtig Fort, Nur Frisch Gegraben |
6:05 | |
E3 | Nr. 15 Terzett (Leonore, Florestan, Rocco) Euch Werde Lohn In Bessern Welten |
6:50 | |
E4 | Nr. 16 Quartett (Leonore, Florestan, Pizarro, Rocco) Er Sterbe! Doch Er Soll Erst Wissen |
4:35 | |
F1 | Nr. 17 Rezitativ Und Duett (Leonore, Florestan) Ich Kann Mich Noch Nicht Fassen / O Namenlose Freude! |
9:30 | |
F2 | Nr. 18 Finale (Alle) Zur Rache / O Gott, O Welch Ein Augenblick / Preist Mit Hoher Freude Glut / Wer Ein Holdes Weib Errungen |
18:00 |
- Baritone Vocals [Zweiter Gefangener] – Siegfried Lorenz
- Bass Vocals [Don Fernando, Minister] – Hermann Christian Polster
- Bass Vocals [Don Pizarro, Gouverneur eines Staatsgefängnisses] – Theo Adam
- Bass Vocals [Rocco, Kerkermeister] – Karl Ridderbusch
- Choir – Rundfunkchor Leipzig
- Chorus Master – Horst Neumann
- Conductor – Herbert Blomstedt
- Design – Ingo Arnold
- Dialog [Dialogregie] – Horst Seeger
- Engineer [Tonregie] – Claus Strüben
- Music Director [Musikregie] – Bernd Runge
- Narrator [Dialogsprecher] – Gunther Emmerlich
- Orchestra – Staatskapelle Dresden
- Painting – Michelangelo
- Soprano Vocals [Leonore, seine Gemahlin] – Edda Moser
- Soprano Vocals [Marzelline, seine Tochter] – Helen Donath
- Tenor Vocals [Erster Gefangener] – Reiner Goldberg
- Tenor Vocals [Florestan, ein Gefangener] – Richard Cassilly
- Tenor Vocals [Pförtner] – Eberhard Büchner
- Text By – Jean-Nicolas Bouilly
- Text By [German] – Joseph Sonnleithner
BOX #104b