Description
La Discotheque Ideale Classique: 10 Albums De Legende - Giulianio Carmignola; Montserrat Caballé; Glenn Gould; George Szell; Pierre Boulez; Seiji Ozawa; Carlos Kleiber; Leonard Bernstein / Sony Music 10x Audio CD, Box Set 2015 / 88875109602
UPC 888751096028
| Label: | Sony Music – 88875109602 |
|---|---|
| Series: | La Discothèque Idéale / The Perfect Collection |
| Format: |
10 x CD, Album, Compilation, Box Set
|
| Country: | France |
| Released: |
2015 |
| Genre: | Classical |
| Style: | Baroque, Classical, Neo-Classical, Opera, Romantic |
Tracklist:
| Vol. 01: Giuliano Carmignola / Venice Baroque Orchestra / Andrea Marcon / Vivaldi: The Four Seasons / 3 Concertos For Violin & Orchestra (Premiere Recording) | |||
| The Four Seasons | |||
| Concerto No. 1 In E Major, Op.8, No. 1, RV269 - Spring | |||
| 1-1 | I. Allegro | 3:19 | |
| 1-2 | II. Largo | 2:18 | |
| 1-3 | III. Allegro | 3:36 | |
|
Concerto No. 2 In G Minor, Op.8, No. 2, Rv 315 - Summer |
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| 1-4 | I. Allegro Non Molto | 4:57 | |
| 1-5 | II. Adagio | 2:18 | |
| 1-6 | III. Presto | 2:15 | |
|
Concerto No. 3 In F Major, Op.8, No. 3, RV293 - Autumn |
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| 1-7 | I. Allegro | 4:34 | |
| 1-8 | II. Allegro Molto | 3:21 | |
| 1-9 | III. Allegro | 2:49 | |
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Concerto No. 4 In F Minor, Op.8, No. 4, RV297 - Winter |
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| 1-10 | I. Allegro Non Molto | 3:04 | |
| 1-11 | II. Largo | 1:47 | |
| 1-12 | III. Allegro | 2:39 | |
|
3 Violin Concertos |
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| Concerto In E-Flat Major, RV257 | |||
| 1-13 | I. Andante Molto E Quasi Allegro | 4:25 | |
| 1-14 | II. Adagio | 2:32 | |
| 1-15 | III. Allegro | 2:58 | |
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Concerto In B-Flat Major, R 376 |
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| 1-16 | I. Larghetto. Andante | 4:25 | |
| 1-17 | II. Andante | 2:24 | |
| 1-18 | III. Allegro | 2:56 | |
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Concerto In D Major, RV 211 |
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| 1-19 | I. Allegro Non Molto | 5:15 | |
| 1-20 | II. Larghetto | 3:22 | |
| 1-21 | III. Allegro | 5:29 | |
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Vol. 02: Glenn Gould / Bach: The Goldberg Variations (51:22) |
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| The Golden Variations, BWV 988 |
| 2-1 | Aria | ||
| 2-2 | Variation 1 | ||
| 2-3 | Variation 2 | ||
| 2-4 | Variation 3 | ||
| 2-5 | Variation 4 | ||
| 2-6 | Variation 5 | ||
| 2-7 | Variation 6 | ||
| 2-8 | Variation 7 | ||
| 2-9 | Variation 8 | ||
| 2-10 | Variation 9 | ||
| 2-11 | Variation 10 | ||
| 2-12 | Variation 11 | ||
| 2-13 | Variation 12 | ||
| 2-14 | Variation 13 | ||
| 2-15 | Variation 14 | ||
| 2-16 | Variation 15 | ||
| 2-17 | Variation 16 | ||
| 2-18 | Variation 17 | ||
| 2-19 | Variation 18 | ||
| 2-20 | Variation 19 | ||
| 2-21 | Variation 20 | ||
| 2-22 | Variation 21 | ||
| 2-23 | Variation 22 | ||
| 2-24 | Variation 23 | ||
| 2-25 | Variation 24 | ||
| 2-26 | Variation 25 | ||
| 2-27 | Variation 26 | ||
| 2-28 | Variation 27 | ||
| 2-29 | Variation 28 | ||
| 2-30 | Variation 29 | ||
| 2-31 | Variation 30 | ||
| 2-32 | Aria Da Capo | ||
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Vol. 03: Nikolaus Harnoncourt / Concentus Musicus Wien / Arnold Schoenberg Chor / Mozart: Requiem (50:14) |
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| Requiem In D Minor. K.626 |
| 3-1 | I. Introitus: Requiem | ||
| 3-2 | Il. Kyrie: Kyrie | ||
| 3-3 | Ill. Sequenz: Dies Irae | ||
| 3-4 | III. Sequenz: Tuba Mirum | ||
| 3-5 | III. Sequenz: Rex Tremendae | ||
| 3-6 | III. Sequenz: Recordare | ||
| 3-7 | III. Sequenz: Confutatis | ||
| 3-8 | III. Sequenz: Lacrimosa | ||
| 3-9 | IV. Offertorium: Domine Jesu | ||
| 3-10 | IV. Offertorium: Hostias | ||
| 3-11 | V. Sanctus: Sanctus | ||
| 3-12 | VI. Benedictus: Benedictus | ||
| 3-13 | VII. Agnus Dei: Agnus Dei | ||
| 3-14 | VIII. Communio: Lux Aeterna | ||
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Vol. 04: Bernstein / New York Philharmonic / Beethoven: 5th & 7th Symphony |
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| Symphony No.5 In C Minor, Op.67 |
| 4-1 | I. Allegro Con Brio | 8:39 | |
| 4-2 | II. Andante Con Moto | 10:09 | |
| 4-3 | III. Allegro | 4:58 | |
| 4-4 | IV. Allegro | 11:25 | |
|
Symphony No.7 In A Major, Op.92 |
| 4-5 | I. Poco Sostenuto: Vivace | 12:27 | |
| 4-6 | II. Allegretto | 9:43 | |
| 4-7 | III. Presto | 8:23 | |
| 4-8 | IV. Allegro Con Brio | 7:27 | |
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Vol. 05: Rubinstein: The Chopin Waltzes |
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| 5-1 | Waltz Op.18, No.1 In E-Flat Major "Grande Valse Brillante" | ||
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Waltzes, Op.34 |
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| 5-2 | No.1 In A-Flat Major, Valse Brillante | 5:04 | |
| 5-3 | No.2 In A Minor, Valse Brillante | 5:14 | |
| 5-4 | No.3 In F Major, Valse Brillante | 2:21 | |
| 5-5 | Waltz No.5, Op.42, In E-Flat Major | 3:46 | |
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Waltzes, Op.64 |
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| 5-6 | No.1 In D-Flat Major, "Minute" | 1:49 | |
| 5-7 | No.2 In C-Sharp Minor | 3:42 | |
| 5-8 | No.3 In A-Flat Major | 3:20 | |
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Waltzes, Op.69 |
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| 5-9 | No.1 In A-Flat Major, "L'Adieu" | 3:27 | |
| 5-10 | No.2 In B Minor | 3:50 | |
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Waltzes, Op.70 |
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| 5-11 | No.1 In G-Flat Major | 1:50 | |
| 5-12 | No.2 In F Minor | 3:27 | |
| 5-13 | No.3 In D-Flat Major | 2:48 | |
| 5-14 | Waltz No.14 In E Minor, Op. Posth. | 3:05 | |
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Vol. 06: George Szell / The Cleveland Orchestra / Dvořák: Symphony No.9 In E Minor, Op.95 "From The New World" / Symphony No.8 In G Major, Op.88 |
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| Symphony No.9 In E Minor "From The New World", Op.95 |
| 6-1 | I. Adagio - Allegro Molto | 8:41 | |
| 6-2 | II. Largo | 12:11 | |
| 6-3 | III. Scherzo. Molto Vivace | 7:53 | |
| 6-4 | IV. Allegro Con Fuoco | 10:54 | |
|
Symphony No.8 In G Major |
| 6-5 | I. Allegro Con Brio | 10:04 | |
| 6-6 | II. Adagio | 10:08 | |
| 6-7 | III. Allegretto Grazioso - Molto Vivace | 6:22 | |
| 6-8 | IV. Allegro Ma Non Troppo | 9:04 | |
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Vol. 07: Boulez Conducts Ravel (La Valse / Menuet Antique / Ma Mère L'Oye / Boléro / Rapsodie Espagnole) |
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| 7-1 | La Valse (Poème Choréographique) | 13:01 | |
| 7-2 | Menuet Antique | 7:08 | |
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Ma Mère L'Oye (Ballet) |
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| 7-3 | Prélude | 3:36 | |
| 7-4 | Premiere Tableau: Danse Du Rouet Et Scéne = Dance Of The Spinning Wheel And Scene | 3:36 | |
| 7-5 | Deuxième Tableau: Pavane de la Belle Au Bois Dormant = Pavane Of Sleeping Beauty | 2:32 | |
| 7-6 | Troisième Tableau: Les Entretiens de la Belle Et de la Béte = Conversations Of The Beauty And The Beast | 4:55 | |
| 7-7 | Quatrième Tableau: Petit Poucet = Hop O' My Thumb | 4:37 | |
| 7-8 | Cinquième Tableau: Laideronnette, Impératrice Des Pagodes = Laideronnette, Empress Of The Pagodas | 4:42 | |
| 7-9 | Apothéose: Le Jardin Féérique = The Fairy Queen | 3:20 | |
| 7-10 | Boléro | 15:30 | |
|
Rapsodie Espagnole |
| 7-11 | I. Prélude À la Nuit | 4:01 | |
| 7-12 | II. Malagueña | 2:01 | |
| 7-13 | III. Habanera | 2:42 | |
| 7-14 | IV. Feria | 6:06 | |
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Vo. 08: Ozawa / Boston Symphony / Orff: Carmina Burana (1:03:08) |
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| Carmina Burana (Cantiones Profanae Cantoribus Et Choris Cantandae Comitantibus Istrumentis Atque Imaginibus Magicis) |
| 8-1 | Fortuna Imperatrix Mundi: O Fortuna | ||
| 8-2 | Fortuna Imperatrix Mundi: Fortune plango vulnera | ||
| 8-3 | I. Primo Vere: Veris Leta Facies | ||
| 8-4 | I. Primo Vere: Omnia Sol Temperat | ||
| 8-5 | I. Primo Vere: Ecce Gratum | ||
| 8-6 | Uf Dem Anger: Dance | ||
| 8-7 | Uf Dem Anger: Floret Silva Nobilis | ||
| 8-8 | Uf Dem Anger: Chramer, Gip Die Varwe Mir | ||
| 8-9 | Uf Dem Anger: Swaz Hie Gat Umbe / Chume, Chum Geselle Min | ||
| 8-10 | Uf Dem Anger: Were Diu Werlt Alle Min | ||
| 8-11 | II. In Taberna: Estuans Interius | ||
| 8-12 | II. In Taberna: Olim Lacus Colueram | ||
| 8-13 | II. In Taberna: Ego Sum Abbas | ||
| 8-14 | II. In Taberna: In taberna Quando Sumus" | ||
| 8-15 | III. Cour D'Amours: Amor Volat Undique | ||
| 8-16 | III. Cour D'Amours: Dies, Nox Et Omnia | ||
| 8-17 | III. Cour D'Amours: Stetit Puella | ||
| 8-18 | III. Cour D'Amours: Circa Mea Pectora | ||
| 8-19 | III. Cour D'Amours: Si Puer Cum Puellula | ||
| 8-20 | III. Cour D'Amours: Veni, Veni, Venias | ||
| 8-21 | III. Cour D'Amours: In Trutina | ||
| 8-22 | III. Cour D'Amours: Tempus Est Iocundum | ||
| 8-23 | III. Cour D'Amours: Dulcissime | ||
| 8-24 | Blanziflor Et Helena: Ave, Formosissima | ||
| 8-25 | Fortuna Imperatrix Mundi: O Fortuna | ||
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Vol. 09: Presenting Montserrat Caballé |
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| 9-1 | Norma: "Casta Diva, Che Inargenti Queste Sacre Antiche Piante" (Norma) |
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10:15
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| 9-2 | Il Pirata: "Oh ! S'Io Potessi Dissipar le Nubi" ... "Col Sorriso D'Innocenza" (Imogene) |
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15:09
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| 9-3 | Roberto Devereux: "E Sara in Questi Orribili Momenti"... "Vivi, Ingrato, A lei D'Accanto" (Elisabetta) |
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7:09
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| 9-4 | Lucrezia Borgia: "Tranquillo Ei Posa" ... "Com'è Bello ! Quale Incanto" (Lucrezia) |
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9:02
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| 9-5 | Maria Di Rohan: "Infausto Imene" ... "Havvi Un Dio" (Maria Di Rohan) |
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6:28
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| 9-6 | Belisario: "Plauso ! Voci Di Gioia" ... "Sin La Tomba È A Me Negata!" (Antonina, Euterpio) |
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9:12
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| 9-7 | Parisina: "No, Più Salir Non Ponno" ... "Ciel, Sei Tu In Tal Momento" (Parisina, Imelda, Azzo, Chorus) |
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15:36
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| Vol. 10: Carlos Kleiber / Wiener Philharmoniker: 1989 New Year's Concert | |||
| 10-1 | Accelerationnen, Op 234 (Walzer) | 8:39 | |
| 10-2 | Bauern-Polka, Op.276 | 2:50 | |
| 10-3 | Die Libelle (Polka Mazur) | 4:58 | |
| 10-4 | Die Fledermauss - Overtüre | 8:01 | |
| 10-5 | Künstlerben, Op.316 (Walzer) | 9:05 | |
| 10-6 | Moulinet, Op.57 (Polka) | 3:15 | |
| 10-7 | Eljen A Magyar - Ungarische Polka Schnell, Op.332 | 2:38 | |
| 10-8 | Im Krapfenwaldl - Polka Française, Op.336 | 4:05 | |
| 10-9 | Frühlingsstimmen, Op.410 (Walzer) | 6:52 | |
| 10-10 | Pizzicato-Polka | 2:59 | |
| 10-11 | Ritter Pazman (Czardas) | 4:28 | |
| 10-12 | Plappermäulchen, Op.245 | 2:59 | |
| 10-13 | Jockey-Polka Op.278 | 1:35 |
- Composed By – Antonio Vivaldi (tracks: 1-1 to 1-21), Frédéric Chopin (tracks: 5-1 to 5-14), Johann Strauss, Son* (tracks: 10-1, 10-2, 10-4, 10-5, 10-7 to 10-9, 10-10, 10-11), Josef Strauss* (tracks: 10-3, 10-6, 10-10, 10-12, 10-13), Maurice Ravel (tracks: 7-1 to 7-14)
- Conductor – Andrea Marcon (tracks: 1-1 to 1-21), Carlo Felice Cillario (tracks: 9-1 to 9-7), Carlos Kleiber (tracks: 10-1 to 10-13), Pierre Boulez (tracks: 7-1 to 7-14)
- Orchestra – London Symphony Orchestra* (tracks: 9-1 to 9-7), New York Philharmonic* (tracks: 7-1 to 7-10), Venice Baroque Orchestra (tracks: 1-1 to 1-21), Wiener Philharmoniker (tracks: 10-1 to 10-13)
- Organ – Andréa Marcon (tracks: 1-1 to 1-21)
- Piano – Arthur Rubinstein (tracks: 5-1 to 5-14)
- Soprano Vocals – Montserrat Caballé (tracks: 9-1 to 9-7)
- Violin – Giuliano Carmignola (tracks: 1-1 to 1-21)
