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Johann Sebastian Bach - Cantatas BWV 58 - 61 / Ach Gott, Wie Manches Herzeleid; Wer Mich Liebet, Der Wird Mein Wort Halten; O Ewigkeit, Du Donnerwort; Nun Komm, Der Heiden Heiland / Hänssler Classic Audio CD 1999 / CD 92.019

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Johann Sebastian Bach - Cantatas BWV 58 - 61 / Ach Gott, Wie Manches Herzeleid; Wer Mich Liebet, Der Wird Mein Wort Halten; O Ewigkeit, Du Donnerwort; Nun Komm, Der Heiden Heiland / Hänssler Classic Audio CD 1999 / CD 92.019

UPC 4010276015192

 

Ach Gott, wie manches Herzeleid (Ah God, how much heartbreak), BWV 58, is a church cantata by Johann Sebastian Bach. He composed the dialogue cantata in Leipzig for the Sunday after New Year's Day.

The text has been attributed to Christoph Birkmann by Christine Blanken of the Bach-Archiv Leipzig. He combined the topics of the readings, the gospel of the Flight into Egypt and teaching about the suffering of Christians from the First Epistle of Peter, in a structure of unusual symmetry with a duet as the first and last of the five movements. Both duets are dialogues of the Soul, represented by a soprano, and Jesus, sung by a bass as the vox Christi (voice of Christ). Both duets are set as a chorale fantasia, combining a stanza from a hymn, sung by the soprano as the cantus firmus, with original poetry set in counterpoint. Both stanzas are sung to the same melody, but come from different hymns, Martin Moller's "Ach Gott, wie manches Herzeleid", and Martin Behm's "Herr Jesu Christ, meins Lebens Licht". While the poet wrote the duets to fit the same music, Bach composed them in contrast, even changing the meter of the tune, to fit the different mood: lamenting heartbreak in the beginning, comfort in the end.

Bach scored the work for a small Baroque instrumental ensemble of originally just strings and continuo, probably intended to ease the workload of musicians for the Christmas season. In a later version, he added a trio of oboes to the outer movements. Bach counted the work as part of his cycle of chorale cantatas, which he had begun in 1724. It was presumably first performed on 5 January 1727.

 

Label: Hänssler Classic – CD 92.019
Series: Hänssler Edition Bachakademie – Vol.019
Format:
CD, Album, Compilation
Country: Germany
Released:  
1999
Genre: Classical
Style: Baroque, Choral
 
 
 

Tracklist:

    BWV 58. Ach Gott, Wie Manches Herzeleid   (14:47)
Bass Vocals – Wolfgang Schöne
Cello – Hannelore Michel
Double Bass – Manfred Gräser
Harpsichord – Martha Schuster
Soprano Vocals – Ingeborg Reichelt
Violin – Werner Keltsch

 

1   No. 1 Aria (S, B) Con Choral: Ach Gott, Wie Manches Herzeleid 4:12
 
2   No. 2 Recitativo (B): Verfolgt Dich Gleich Die Arge Welt 1:42
 
3   No. 3 Aria (S): Ich Bin Vernügt In Meinem Leiden 5:02
 
4   No. 4 Recitativo (S): Kann Es Die Welt Nicht Lassen 1:18
 
5   No. 5 Aria (S, B) Con Choral: Ich Hab Für Mir Ein Schwere Reis 2:33
   

 

 

 

BWV 59 Wer Mich Liebet, Der Wird Mein Wort Haltern   (10:48)

Bass Vocals – Niklaus Tüller
Cello – Reinhard Werner
Double Bass – Manfred Gräser
Harpsichord – Martha Schuster
Soprano Vocals – Arleen Auger
Timpani – Wieland Junge
Trumpet – Eugen Mayer, Hermann Sauter
Violin – Wolfgang Rösch (2)

 

6   No. 1 Duetto (S,B): Wer Mich Liebet, Der Wird Mein Wort Haltern 5:49
 
7   No. 2 Recitativo (S): O, Was Sind Das Für Ehren 2:22
 
8   No. 3 Choral: Komm, Heiliger Geist, Herre Gott 1:35
 
9   No. 4 Aria (B): Die Welt Mit Allen Königreichen 2:56
   

 

 

 

BWV 60 O Ewigkeit, Du Donnerwort   (17:29)

Alto Vocals – Helen Watts
Bass Vocals – Philippe Huttenlocher
Bassoon – Günther Pfitzenmaier
Cello – Hans Häublein
Double Bass – Manfred Gräser
French Horn – Johannes Ritzkowsky
Oboe, Oboe d'Amore – Allan Vogel, Günther Passin
Organ – David Deffner
Organ, Harpsichord – Hans-Joachim Erhard
Tenor Vocals – Adalbert Kraus
Violin – Walter Forchert

 

10   No. 1 Aria (Coro A, T): O Ewigkeit, Du Donnerwort 4:52
 
11   No. 2 Recitativo (A, T) O Schwerer Gang 2:27
 
12   No. 3 Aria (A, T) Mein Leztes Lager Will Mich Schrecken 3:25
 
13   No. 4 Recitativo (A, B) Der Tod Bleibt Doch Der Menschlichen Natur Verhaßt 5:20
 
14   No. 5 Choral: Est Ist Genug; Herr, Wenn Es Dir Gefällt 1:25
   

 

 

 

BWV 61 Nun Komm, Der Heiden Heiland   (18:07)

Bass Vocals – Wolfgang Schöne
Bassoon – Hermann Herder
Cello – Jürgen Wolf
Double Bass – Thomas Lom
Organ, Harpsichord – Martha Schuster
Soprano Vocals – Helen Donath
Tenor Vocals – Adalbert Kraus

 

15   No. 1 Coro: Nun Komm, Der Heiden Heiland 4:42
 
16   No. 2 Recitativo (T): Der Heiland Ist Gekommen 1:31
 
17   No. 3 Aria (T): Komm, Jesu, Komm Zu Deiner Kirche 5:00
 
18   No. 4 Recitativo (B): Siehe, Ich Stehe Vor Der Tür Und Klopfe An 1:07
 
19   No. 5 Aria (S): Offne Dich, Mein Ganzes Herze 4:42
 
20   No. 6 Choral: Amen, Amen 1:05
 
 
 
  • Choir Gächinger Kantorei Stuttgart
  • Composed By Johann Sebastian Bach
  • Conductor Helmuth Rilling
  • Engineer Friedrich Mauermann (tracks: 15 - 20), Richard Hauck, Wolfram Wehnert (tracks: 1 - 5)
  • Liner Notes Andreas Bomba
  • Orchestra Bach-Collegium Stuttgart

 

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