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Johann Sebastian Bach - Cantatas BWV 46-48 / Schauet doch und sehet, ob irgendein Schmerz sei; Wer sich selbst erhohet, der soll erniedriget werden / Hänssler Edition Bachakademie Audio CD 1999 / CD 92.016

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Johann Sebastian Bach - Cantatas BWV 46-48 / Schauet doch und sehet, ob irgendein Schmerz sei; Wer sich selbst erhohet, der soll erniedriget werden / Hänssler Edition Bachakademie Audio CD 1999 / CD 92.016

UPC 4010276015161

 

Schauet doch und sehet, ob irgend ein Schmerz sei (Behold and see, if there be any sorrow), BWV 46 , is a church cantata by Johann Sebastian Bach. He composed it for the tenth Sunday after Trinity and it was first performed on 1 August 1723 in Leipzig.

The cantata is part of Bach's first cantata cycle, which he began when he took up office as Thomaskantor in May 1723. The topic is based on the prescribed reading from the gospel of Luke, Jesus announcing the destruction of Jerusalem and cleansing of the Temple. The librettist is unknown. The cantata is structured in six movements: two choral movements frame a sequence of alternating recitatives and arias. The opening movement is based on a verse from the Book of Lamentations, a lament of the destructed Jerusalem, related to the announcement from the gospel. The text moves from reflecting God's wrath in the past to the situation of the contemporary Christian. The closing chorale, a stanza from Johann Matthäus Meyfart's hymn "O großer Gott von Macht", is a prayer culminating in the thought "do not repay us according to our sins".

The cantata is scored for three vocal soloists (alto, tenor and bass), a four-part choir, and a Baroque instrumental ensemble of a corno da tirarsi (possibly a slide trumpet), two recorders, two oboes da caccia, strings and basso continuo. This is an unusually rich instrumentation for an ordinary Sunday. Bach created in the opening chorus an unusual "uncompromising" fugue for up to nine parts. The bass aria with an obbligato trumpet, depicting God's wrath compared to a thunderstorm, has been regarded as "more frightening" than any contemporary operatic 'rage' arias. The closing chorale is not the usual simple four-part setting, but includes instrumental interludes reminiscent of motifs used before.

Bach used music of the first section of the opening chorus for Qui tollis peccata mundi of his Mass in B minor. He made considerable changes when he adapted the lamenting music to depict the Lamb of God carrying the sins of the world.

 

Label: Hänssler Edition Bachakademie – CD 92.016
Series:  
Format:
CD, Album
Country: Germany
Released:  
1999
Genre: Classical
Style: Baroque

 

 

Tracklist:

01-06  Schauet doch und sehet, ob irgendein Schmerz sei = Look Indeed And See Then If There Be A Grief  BWV 46   18:52

07-11  Wer sich selbst erhohet, der soll erniedriget werden = Who himself exalteth, he shall be made to be humble   BWV 47   23:32

12-18  Ich elender Mensch, wer wird mich erlosen = A Poor Man Am I, Who Will Set Me Free   BWV 48  15:01

 

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