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Johann Sebastian Bach - Cantatas BWV 140, 143-145 / Wachet Auf, Ruft Uns Die Stimme; Lobe Den Hernn, Meine Seele; Nimm, Was Dein Ist, Und Gehe Hin; Ich Lebe, Mein Herze, Zu Deinem Ergötzen / Hänssler Classic Audio CD 2000 / CD 92.044

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Johann Sebastian Bach - Cantatas BWV 140, 143-145 / Wachet Auf, Ruft Uns Die Stimme; Lobe Den Hernn, Meine Seele; Nimm, Was Dein Ist, Und Gehe Hin; Ich Lebe, Mein Herze, Zu Deinem Ergötzen / Hänssler Classic Audio CD 2000 / CD 92.044

UPC 4010276015444

 

Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), BWV 140, also known as Sleepers Wake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.

Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Bach structured the cantata in seven movements, setting the first stanza as a chorale fantasia, the second stanza in the central movement in the style of a chorale prelude, and the third stanza as a four-part chorale. He set the new texts as dramatic recitatives and love-duets, similar to contemporary opera. Bach scored the work for three vocal soloists (soprano, tenor and bass), a four-part choir and a Baroque instrumental ensemble consisting of a horn (to reinforce the soprano), two oboes, taille, violino piccolo, strings and basso continuo including bassoon.

Bach used the central movement of the cantata as the basis for the first of his Schübler Chorales, BWV 645. Bach scholar Alfred Dürr notes that the cantata is an expression of Christian mysticism in art, while William G. Whittaker calls it "a cantata without weaknesses, without a dull bar, technically, emotionally and spiritually of the highest order, its sheer perfection and its boundless imagination rouse one's wonder time and time again".

 

Label: Hänssler Classic – CD 92.044
Series: Hänssler Edition Bachakademie – Vol. 044
Format:
CD, Remastered
Country: Germany
Released:   
2000
Genre: Classical
Style: Baroque
 
 
 
 

Tracklist:

1   BWV 140 - Wachet Auf, Ruft Uns Die Stimme 24:12
8   BWV 143 - Lobe Den Hernn, Meine Seele 13:03
15   BWV 144 - Nimm, Was Dein Ist, Und Gehe Hin 13:57
21   BWV 145 - Ich Lebe, Mein Herze, Zu Deinem Ergötzen  
9:37
 
 
 
  • Alto Vocals Helen Watts
  • Bass Vocals Andreas Schmidt (2), Philippe Huttenlocher, Wolfgang Schöne
  • Choir Frankfurter Kantorei, Gächinger Kantorei Stuttgart
  • Composed By Johann Sebastian Bach
  • Conductor Helmuth Rilling
  • Ensemble Bach-Ensemble
  • Orchestra Bachcollegium Stuttgart, Württembergisches Kammerorchester
  • Soprano Vocals Arleen Auger, Costanza Cuccaro, Eva Csapó
  • Tenor Vocals Adalbert Kraus, Aldo Baldin

 

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