Description
Idomeneo Rè Di Creta KV 366 - Mozart / ETERNA Edition / ETERNA 4x LP Stereo
8 26 261-264
Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
Label: ETERNA – 8 26 261-264
Series: ETERNA Edition
Format: 4 x Vinyl, LP, Album, Stereo, Box Set
Country: German Democratic Republic (GDR)
Genre: Classical
Style: Classical, Opera
Tracklist:
A1 | Ouvertüre | |
A2 | 1. Akt, Nr. 1-3 | |
B | 1. Akt, Nr. 4-7 | |
C1 |
1. Akt, Nr. 8-9 | |
C2 | 2. Akt, Nr. 10-11 | |
D | 2. Akt, Nr. 12-14 | |
E1 | 2. Akt, Nr. 15-18 | |
E2 | 3. Akt, Nr. 19 | |
F | 3. Akt, Nr. 20-22 | |
G | 3. Akt, Nr. 23-27 | |
H | 3. Akt, Nr. 28-32 |
- Alto Vocals – Ingeborg Springer
- Baritone Vocals – Günther Leib
- Bass Vocals – Theo Adam
- Choir – Rundfunkchor Leipzig
- Chorus Master – Horst Neumann
- Composed By – Wolfgang Amadeus Mozart
- Conductor – Hans Schmidt-Isserstedt
- Consultant [Italienische Sprachberatung] – Isolde Ranft
- Design – Utz Müller
- Editor – Ingrid Hauk
- Engineer [Musikregie] – Eberhard Geiler
- Engineer [Tonregie] – Claus Strüben
- Harpsichord – Walter Olbertz
- Libretto By – Giambattista Varesco
- Orchestra – Staatskapelle Dresden
- Soprano Vocals – Adele Stolte, Anneliese Rothenberger, Edda Moser
- Supervised By [Kunstwissenschaftlicher Berater] – Dr. Peter Betthausen
- Supervised By [Wissenschaftliche Berater] – Prof. Dr. Hans-Georg Uszkoreit, Dr. Horst Seeger
- Tenor Vocals – Adolf Dallapozza, Eberhard Büchner, Nicolai Gedda, Peter Schreier