Description
Hommage À Machaut - Ars Cameralis / Panton LP Stereo
8111 0056
F. Andrieu (fl. tardo XIV secolo; presumibilmente François o Franciscus Andrieu) era un francese compositore nel ars nova lo stile degli ultimi tempi musica medievale. Non si sa nulla di lui tranne che ha scritto Armes, amours / O farina des farine, un doppio ballata déploration, per la morte di Guillaume de Machaut nel 1377. L'opera è stata ampiamente lodata e analizzata; si distingue per essere una delle due doppie ballate esistenti in quattro parti di musica medievale, l'unico ambiente musicale contemporaneo conosciuto di Eustache Deschamps e il primo rappresentante della lunga storia medievale e Rinascimento tradizione di lamento per un collega compositore. Potrebbe essere la stessa persona di Magister Franciscus, sebbene il consenso degli studiosi su questa identificazione non sia chiaro. Con P. des Molins, Jehan Vaillant e Smorfia, Andrieu era uno della generazione "post-Machaut" i cui pezzi conservano abbastanza ars nova qualità separabili dai compositori di ars subtilior.
Tracklist:
| A1 | Guillaume de Machaut– | De Tout Sui Si Confortée (Virelai 38 À 2) | 1:38 |
| A2 | Guillaume de Machaut– | Biauté Qui Toutes Autres Pere (Ballade 4 À 3) | 1:35 |
| A3 | Guillaume de Machaut– | Dame, Ne Regardes Pas (Ballade 9 À 2) | 1:40 |
| A4 | Guillaume de Machaut– | Sanz Cuer-Amis, Dolens-Dame, Par Vous (Ballade 17 À 3) | 1:55 |
| A5 | Guillaume de Machaut– | S’ Amours Ne Fait (Ballade 1 À 2) | 1:50 |
| A6 | Guillaume de Machaut– | Ma Chiere Dame (Ballade 40 À 3) | 1:48 |
| A7 | Guillaume de Machaut– | Doulz Viaire Gracieus (Rondeau 1 À 3) | 1:10 |
| A8 | Guillaume de Machaut– | Sans Cuer, Dolens (Rondeau 4 À 2) | 2:40 |
| A9 | Guillaume de Machaut– | Tres Douce Dame (Ballade 24 À 2) | 0:50 |
| A10 | Guillaume de Machaut– | Fons Totius Superbiae — O Livoris Feritas (Motet 9 À 3) | 2:20 |
| A11 | Guillaume de Machaut– | Plourés, Dames (Ballade 32 À 3) | 2:10 |
| A12 | Guillaume de Machaut– | Ma Fin Est Mon Commencement (Rondeau 14 À 3) | 1:25 |
| A13 | F. Andrieu– | Armes, Amours — O Flour Des Flours | 2:30 |
| B1 | Lukáš Matoušek– | Hoquet Guillauma De Machaut Pro Flétnu, Klarinet A Violu (1972) = G. De Machaut’s Hoquet For Flute, Clarinet And Viola (1972) | 2:47 |
|
Václav Kučera– |
Galantní Písně Pro Mezzosoprán, Flétnu, Klarinet A Violu Na Verše Václava Lucemburského V Přebásnění G. Francla (1978) = Gallant Songs For Mezzosoprano, Flute, Clarinet And Viola To The Verse Of Wenceslas Of Luxembourg Reversed By G. Francl (1978) |
(6:55) |
|
| B2.I | – | Myslím-li Na Vás = Thinking Of You | |
| B2.II | – | Což Závistiví Pomlouvači = Could The Envious Slanderers | |
| B2.III | – | Nad Nejrůznější Krásy Světa = Above All The Wonders Of The World | |
|
Miloš Štědroň– |
Mistr Machaut V Čechách Pro Mezzosoprán, Flétnu, Klarinet, Violu A Klavír (1975) = Maitre Machaut In Bohemia For Mezzo-soprano, Flute, Clarinet, Viola And Piano (1975) |
(11:42) |
|
| B3.I | – | Cesta Do Čech = The Journey To Bohemia | |
| B3.II | – | Polka - Hoquet | |
| B3.III | – | Praga Caput Regni | |
| B3.IV | – | Vokabulář Pro Mistra Machauta Aneb Co Se Jak Řekne O Hudbě Česky = Vocabulary For Maitre Machaut Or How To Talk About Music In Czech | |
| B3.V | – | Cesta Z Čech = The Journey From Bohemia |
- Adapted By [Realizace / Adaptations] – Lukáš Matoušek (tracks: A1 to A12)
- Composed By – F. Andrieu (tracks: A13), Guillaume de Machaut (tracks: A1 to A12), Lukáš Matoušek (tracks: B1), Miloš Štědroň (tracks: B3.I to B3.V), Václav Kučera (tracks: B2.I to B2.III)
- Cover – Jiří Blažek (2)
- Engineer [Zvuková Režie / Sound Director] – Václav Zamazal
- Ensemble – Ars Cameralis - Praha
- Leader [Umělecký Vedoucí / Art Director] [Ars Cameralis - Praha] – Lukáš Matoušek
- Liner Notes – Lukáš Matoušek, Dr. Miloš Štědroň, Václav Kučera
- Liner Notes, Other [Musicology Consultant] – Dr. Jaromír Černý
- Lyrics By [Přebásnění / Version, Czech] – G. Francl (tracks: B2.I to B2.III)
- Other [Language Consultant] – Dr. Jan Lehár
- Performer [Ars Cameralis - Praha], Alto Recorder [Altová Zobcová Flétna] – Dr. Jan Hořejší (tracks: A3), Lukáš Matoušek (tracks: A1)
- Performer [Ars Cameralis - Praha], Clarinet [Klarinet] – Lukáš Matoušek (tracks: B1 to B3.V)
- Performer [Ars Cameralis - Praha], Crumhorn [Altový Křivý Roh / Alto Crumhorn] – Lukáš Matoušek (tracks: A3, A5, A7, A9, A12)
- Performer [Ars Cameralis - Praha], Crumhorn [Tenorový Křivý Roh / Tenor Crumhorn] – Dr. Jan Hořejší (tracks: A1, A9)
- Performer [Ars Cameralis - Praha], Fiddle [Altová Fidula / Alto Fiddle] – Pavel Janda (tracks: A1, A2, A3, A6 to A13)
- Performer [Ars Cameralis - Praha], Flute [Flétna] – Dr. Jan Hořejší (tracks: B1 to B3.V)
- Performer [Ars Cameralis - Praha], Horn [Kamzičí Roh / Gemshorn] – Lukáš Matoušek (tracks: A11)
- Performer [Ars Cameralis - Praha], Mezzo-soprano Vocals [Mezzosoprán] – Zuzana Matoušková (tracks: A1, A2, A4, A5, A6, A8, A10, A11, A13, B1 to B3.V)
- Performer [Ars Cameralis - Praha], Piano [Klavír] – Martina Maixnerová (tracks: B1 to B3.V)
- Performer [Ars Cameralis - Praha], Recorder [Basová Zobcová Flétna / Bass Recorder] – Dr. Jan Hořejší* (tracks: A12), Lukáš Matoušek (tracks: A2, A6, A8, A10)
- Performer [Ars Cameralis - Praha], Strings [České Křídlo / Ala Bohemica] – Lukáš Matoušek (tracks: A3, A13)
- Performer [Ars Cameralis - Praha], Viola [Viola] – Pavel Janda (tracks: B1 to B3.V)
- Performer [Spoluúčinkující / Co-Performer], Alto Recorder [Altová Zobcová Flétna] – František Pok (2) (tracks: A9)
- Performer [Spoluúčinkující / Co-Performer], Cornett [Altový Cink / Alto Cornett] – František Pok (2) (tracks: A3)
- Performer [Spoluúčinkující / Co-Performer], Cornett [Sopránový Cink / Soprano Cornett] – František Pok (2) (tracks: A1)
- Performer [Spoluúčinkující / Co-Performer], Countertenor Vocals [Contratenor] – Vladimír Doležal (tracks: A1, A3, A4, A7, A10, A12, A13)
- Performer [Spoluúčinkující / Co-Performer], Countertenor Vocals [Contratenor], Baritone Vocals [Baryton] – Josef Života (tracks: A4)
- Performer [Spoluúčinkující / Co-Performer], Crumhorn [Tenorová Cornamusa / Tenor Cornamusa] – Jiří Vodňanský (tracks: A3)
- Performer [Spoluúčinkující / Co-Performer], Drum [Bubínek / Tabor] – Oldřich Šatava (tracks: A9)
- Performer [Spoluúčinkující / Co-Performer], Dulcimer [Tympanon] – Oldřich Šatava (tracks: A2, A10)
- Performer [Spoluúčinkující / Co-Performer], Fiddle [Tenorová Fidula / Tenor Fiddle] – Josef Pražák (2) (tracks: A1, A9, A10, A11, A13)
- Performer [Spoluúčinkující / Co-Performer], Glockenspiel [Zvonkohra / Chime Bells] – Oldřich Šatava (tracks: A10)
- Performer [Spoluúčinkující / Co-Performer], Lute [Loutna] – Dr. Jiří Tichota* (tracks: A1, A3, A9, A10)
- Performer [Spoluúčinkující / Co-Performer], Percussion [Bicí Nástroje] – Oldřich Šatava (tracks: B1 to B3.V)
- Performer [Spoluúčinkující / Co-Performer], Shawm [Pumort] – Jiří Vodňanský (tracks: A1)
- Performer [Spoluúčinkující / Co-Performer], Tambourine [Tamburina] – Oldřich Šatava (tracks: A1)
- Performer [Spoluúčinkující / Co-Performer], Triangle [Triangl] – Oldřich Šatava (tracks: A1, A3)
- Photography By [Photo] – Bohumil Beníček
- Recording Supervisor [Hudební Režie / Music Director] – Milan Slavický
- Written-By [Verše / Verse] – Václav Lucemburský (tracks: B2.I to B2.III)
BOX #101
