Description
Franz Liszt – Les Preludes, Hungarian Rhapsodies nos. 2,4 & 5, Hungarian Fantasia / Berlin Philharmonic, Herbet von Karajan / Deutsche Grammophon Audio CD / 4696252
UPC 028946962527
Product Details:
Tracklist:
| Les Preludes | ||
| 1 | Les Preludes | |
| 2 | Symphonic Poem No. 3 | 17:02 |
|
Hungarian Rhapsodies |
||
| 3 | Hungarian Rhapsody No. 2 | 12:56 |
| 4 | Hungarian Rhapsody No. 4 | 11:16 |
| 5 |
Hungarian Rhapsody No. 5 | 13:18 |
|
Fantasia On Hungarian Folk Themes |
||
| 6 | For Piano And Orchestra | 15:47 |
About Hungarian Fantasy
The Fantasia on Hungarian Folk Melodies (German: Fantasie über ungarische Volksmelodien, Hungarian: Fantázia magyar népi dallamokkal), commonly known in short form simply as the Hungarian Fantasy, is Franz Liszt's arrangement for piano and orchestra of his Hungarian Rhapsody No. 14, originally for solo piano. The Fantasia was written in 1852 and premiered in Pest on June 1, 1853, with Hans von Bülow as soloist and Ferenc Erkel conducting the orchestra.
During Liszt's lifetime, his Hungarian Rhapsodies were among his most popular works. Because of this popularity, he may have been under pressure to produce versions of them for piano and orchestra. The present work is the only such work that Liszt is known to have produced. However he may, at the end of his life, have helped his student Sophie Menter with her Concerto in the Hungarian Style (1885), a work which was clearly influenced by the Hungarian Fantasy.
A slow introduction by the orchestra is followed by a solo cadenza before proceeding to the main body of the work. The bold, marchlike main theme of the work, as in the version for solo piano, is the Hungarian folk song "Mohac's Field", with a long-short-short-long rhythm. While much of the piece's thematic material is derived from this song, there is also a section in A minor marked "in gypsy style" (alla zingarese).
While the Fantasia is in the same style and tradition as the Hungarian Rhapsodies, it differs structurally from them. The Rhapsodies generally present a clear succession of two traditional scales — lassan, and friska. These dances are evident in the Fantasia, particularly in the long and brilliant friska section. However, Liszt is freer and wider-ranging in his combination and juxtaposition of material than he usually is in this type of work.
More Details:
- Conductor – Herbert von Karajan (tracks: 1-5)
- Orchestra – Berliner Philharmoniker (tracks: 1-5)
- Piano – Shura Cherkassky (tracks: 5)
