Description
Don Dorsey – Bachbusters / Telarc CD Audio 1986
UPC 089408012327
Made in EU
!!! Condition of this CD is USED VERY GOOD !!!
Don Dorsey is currently in his twenty-sixth year as audio production consultant, and fifteenth year as a designer and director of fireworks and nighttime spectacular shows (including Laserphonic Fantasy, IllumiNations and Sorcery in the Sky) for Disney theme parks. For seventeen years he served as the main audio recording and post-production engineer for the Entertainment Division of the Disneyland Park, manning console knobs and faders for recording sessions with Mickey and his cohorts, and for musical groups which ran the gamut from bagpipes, steel drums and accordion to marching band, 100-voice choir and symphony orchestra. His electronic arrangements and performances for Disney's Main Street Electrical Parade have been heard by an estimated 100 million Disney park guests around the world. Don continues to develop new entertainment projects and technology for Disney parks around the world, and recently created and directed the new nighttime show for Epcot, Reflections of Earth, to celebrate the new Millennium.Don's company, Dorsey Productions, Inc., consults primarily with major entertainment companies on the development and writing of spectacular entertainment shows, concepts, marketing, and uses of entertainment technology. DPI's client list includes Universal and Six Flags theme parks, Harrah's Entertainment, Radio City Music Hall, as well as numerous other convention and live event producers.
Tracklist:
| Italian Concerto, BWV 971 | |||
| 1 | I. (Allegro) | 3:29 | |
| 2 | II. Andante | 5:46 | |
| 3 | III. Presto | 3:24 | |
| Two & Three Part Inventions | |||
| 4 | Two-Part Invention No. 1 In C Major, BWV 772 | 1:38 | |
| 5 | Three-Part Invention No. 1 In C Major, BWV 787 | 0:49 | |
| 6 | Two-Part Invention No. 8 In F Major, BWV 779 | 0:52 | |
| 7 | Three-Part Invention No. 8 In F Major, BWV 794 | 1:02 | |
| 8 | Two-Part Invention No. 10 In G Major, BWV 781 | 0:42 | |
| 9 | Three-Part Invention No. 10 In G Major, BWV 796 | 1:00 | |
| 10 | Two-Part Invention No. 12 In A Major, BWV 783 | 1:03 | |
| 11 | Three-Part Invention No. 12 In A Major, BWV 798 | 1:15 | |
| 12 | Two-Part Invention No. 15 In B Minor, BWV 786 | 1:01 | |
| 13 | Three-Part Invention No. 15 In B Minor, BWV 801 | 1:10 | |
| Diverse Kanons, BWV 1087 | (7:40) | ||
| 14.1 | I. Kanon Simplex | 0:30 | |
| 14.2 | II. All'roverscio | 0:19 | |
| 14.3 | III. Beede Vorigen Kanones Zugleich, Motu Recto E Contrario | 0:20 | |
| 14.4 | IV. Motu Contrario E Recto | 0:22 | |
| 14.5 | V. Kanon Duplex, A 4 | 0:21 | |
| 14.6 | VI. Kanon Simplex Über Besagtes Fundament, A 3 | 0:48 | |
| 14.7 | VII. Idem, A 3 | 0:19 | |
| 14.8 | VIII. Kanon Simplex, A 3, Il Soggetto In Alto | 0:24 | |
| 14.9 | IX. Kanon In Unisono Post Semifusam, A 3 | 0:20 | |
| 14.10a | Xa. Alio Modo, Per Syncopationes Et Per Ligatures, A 2 | ||
| 14.10b | Xb. Evolutio | 0:22 | |
| 14.11 | XI. Kanon Duplex Übers Fundament, A 5 | 0:52 | |
| 14.12 | XII. Kanon Duplex Über Besagte Fundamental - Noten, A 5 | 0:41 | |
| 14.13 | XIII. Kanon Triplex, A6 | 0:31 | |
| 14.14 | XIV. Kanon A 4 Per Augmentationem Et Diminutionem | 1:31 | |
| Toccata & Fugue In D Minor, BWV 565 | |||
| 15 | Toccata | 3:08 | |
| 16 | Fugue | 5:48 | |
| 17 | Jesu, Joy Of Man's Desiring (From Cantata 147) | 6:09 |
- Phonographic Copyright ℗ – Telarc
- Copyright © – Telarc
- Manufactured By – Digital Audio Disc Corp.
- Mixed At – Paramount Recorders
- Art Direction – Ray Kirschensteiner
- Composed By – Johann Sebastian Bach
- Cover – DesignWyse
- Edited By, Producer [Production Assistance] – Elaine Martone
- Engineer [Mixes Transfered In The Digital Domain] – Mike Ellis
- Executive-Producer – Robert Woods (2)
- Mixed By [Mixdown Engineer] – Paul Freeman
- Producer, Engineer, Arranged By – Don Dorsey
℗© 1985 TELARC®
Technical Data
Recorded at home, Anaheim, California July-October, 1985
Microphones: None
All synthesizer outputs were fed directly into a Mitsubishi X-800 digital 32-track machine. No signal processing was used.
Monitoring system consisted of two Audioforce 16 X 2 Location Mixers, Rogersound Labs 3300 speakers, Kenwood amplifiers and Lexicon 200 digital reverb.
Custom cables by Audioforce, Inc. and Fugit Electronics
Custom MIDI (Musical Instrument Digital Interface) software provided by Digital Music Service.
Mixed at Paramount Recorders, Hollywood, California
Console: Harrison 4032, modified, Allison automation assisted
Recorder: Mitsubishi X-80 digital 2-track
Mixes transferred in the digital domain from Mitsubishi to Sony 1610 format by Mike Ellis at Digital Audio Disc Corporation.
Music Equipment:
Synclavier Digital Music System
Yamaha DX-7 and TX-816 synthesizers, QX-1 sequencer and RX-11 drum machine
Roland MKS-80 synthesizer
Oberheim XP-1 synthesizer
Synchronization and auxiliary equipment:
Garfield Dr. Click I, Mini-Doc
J.L. Cooper Electronics MSB-II digital MIDI patchbay
Roland SDE-3000 digital delay
Apple II+ computer
Very similar to Don Dorsey - Bachbusters, which is a later pressing.
- Barcode: 089408012327
- Matrix / Runout: DIDX 547
- SPARS CODE: DDD
