![Der Freischütz (J. 277, Op. 77 The Marksman[1] or The Freeshooter[2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun[3] from their 1811 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus Berlin.[4] It is considered the first German Romantic opera.[5]
The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the Gespensterbuch though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception.[6] Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score".](https://cdn11.bigcommerce.com/s-62bdpkt7pb/images/stencil/1500x1500/products/33338/196534/Carl_Maria_von_Weber_-_Der_Freischutz_Brendel_Behrens_Donath_Kollo_Bavarian_Radio_Symphony_Orchestra_Rafael_Kubelik_Decca_Audio_CD_1980_467_421-2_3__20309.1635183522.JPG?c=2&imbypass=on "Der Freischütz (J. 277, Op. 77 The Marksman[1] or The Freeshooter[2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun[3] from their 1811 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus Berlin.[4] It is considered the first German Romantic opera.[5]
The opera's plot is mainly based on August Apel's tale \"Der Freischütz\" from the Gespensterbuch though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception.[6] Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as \"the most expressive rendering of the gruesome that is to be found in a musical score\".")
![Der Freischütz (J. 277, Op. 77 The Marksman[1] or The Freeshooter[2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun[3] from their 1811 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus Berlin.[4] It is considered the first German Romantic opera.[5]
The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the Gespensterbuch though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception.[6] Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score".](https://cdn11.bigcommerce.com/s-62bdpkt7pb/images/stencil/80x120/products/33338/196534/Carl_Maria_von_Weber_-_Der_Freischutz_Brendel_Behrens_Donath_Kollo_Bavarian_Radio_Symphony_Orchestra_Rafael_Kubelik_Decca_Audio_CD_1980_467_421-2_3__20309.1635183522.JPG?c=2 "Der Freischütz (J. 277, Op. 77 The Marksman[1] or The Freeshooter[2]) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun[3] from their 1811 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus Berlin.[4] It is considered the first German Romantic opera.[5]
The opera's plot is mainly based on August Apel's tale \"Der Freischütz\" from the Gespensterbuch though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception.[6] Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as \"the most expressive rendering of the gruesome that is to be found in a musical score\".")
Description
Carl Maria von Weber - Der Freischutz / Brendel, Behrens, Donath, Kollo, Bavarian Radio Symphony Orchestra, Rafael Kubelik / Decca Audio CD 1980 / 467 421-2
UPC 028946742129
Der Freischütz (J. 277, Op. 77 The Marksman or The Freeshooter) is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1811 collection Gespensterbuch. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera.
The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the Gespensterbuch though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score".
| Label: | Decca - 467 421-2 |
|---|---|
| Series: | |
| Format: |
CD, Album
|
| Country: | Hungary |
| Released: | 1980 |
| Genre: | Classical |
| Style: |
Tracklist:
1. Ouvertüre 10:16
Act One
2. Viktoria! Viktoria! 1:26
Der Meister soll leben
(Villagers, Chorus)
3. Schau der Herr mich an als König! 2:18
(Kilian, Chorus)
4. Nein, länger trag’ ich nicht die Qualen... 7:36
Durch die Wälder, durch die Auen (Max)
5. Hier im ird’schen Jammertal 2:05
(Kaspar, Max)
Act Two
6. Schelm! halt fest! 5:04
(Ännchen, Agathe)
7. Kommt ein schlanker Bursch 3:47
gegangen (Ännchen)
8. Wie nahte mir der Schlummer... 9:07
Leise, leise, fromme Weise
(Agathe)
9. Milch des Mondes fiel aufs Kraut 5:48
(Chorus, Kaspar, Samiel)
Act Three
10. Und ob die Wolke sie verhülle 6:00
(Agathe)
11. Nun muß ich aber... 3:12
Wir winden dir den Jungfernkranz
(Bridesmaids)
12. Was gleicht wohl auf Erden 2:35
dem Jägervergnügen? (Huntsmen)
13. So eile mein Gebiet zu meiden 11:09
(Ottokar, Max, All)
- Ottokar: Wolfgang Brendel
- Agathe: Hildegard Behrens
- Ännchen: Helen Donath
- Max: Rene Kollo
- Kaspar: Peter Meven
- Kilian: Hermann Sapell
- Eremit: Kurt Moll
- Samiel: Rolf Boysen
- Orchestra, choir - Bavarian Radio Symphony Orchestra and Chorus
- Conducted by - Rafael Kubelik
