Carl Czerny, Franz Liszt - Master & Pupil / Fred Oldenburg - piano / Brilliant Classics 2x Audio CD / 92457
UPC 5028421924571
Carl Czerny (German: [ˈtʃɛʁniː]; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils.
Franz Liszt (German: [ˈlɪst]; Hungarian: Liszt Ferencz, in modern usage Liszt Ferenc [ˈlist ˈfɛrɛnt͡s]; 22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic era.
Liszt gained renown in Europe during the early nineteenth century for his virtuoso skill as a pianist. He was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.
A prolific composer, Liszt was one of the most prominent representatives of the New German School (German: Neudeutsche Schule). He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the symphonic poem, developing thematic transformation as part of his experiments in musical form, and radical innovations in harmony.
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Brilliant Classics – 92457 |
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| Format: |
2 x CD
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| Country: |
Europe |
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Released:
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| Genre: |
Classical |
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| Style: |
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Tracklist:
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Die Kunst Der Fingerfertigkeit Op. 740
Composed By – Carl Czerny
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| 1-1 |
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Etude Nr. 1: Beweglichkeit Der Finger Bei Ruhiger Hand |
1:56 |
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| 1-2 |
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Etude Nr. 2: Das Untersetzen Des Daumens |
1:35 |
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| 1-3 |
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Etude Nr. 3: Deutliche Geläufigkeit |
2:14 |
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| 1-4 |
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Etude Nr. 4: Leichte Beweglichkeit Im Ruhigen Staccato |
2:22 |
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| 1-5 |
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Etude Nr. 5: Gleichheit In Doppelläufen |
1:38 |
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| 1-6 |
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Etude Nr. 6: Deutlichkeit In Gebrochenen Akkorden |
1:36 |
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| 1-7 |
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Etude Nr. 7: Fingerwechsel Auf Einer Taste |
1:53 |
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| 1-8 |
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Etude Nr. 8: Leichte Beweglichkeit Der Linken Hand |
1:50 |
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| 1-9 |
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Etude Nr. 9: Zartes Hüpfen Und Abstoßen |
1:47 |
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| 1-10 |
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Etude Nr. 10: Terzen-Übung |
0:55 |
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| 1-11 |
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Etude Nr. 11: Gewandtheit Im Fingerwechsel |
1:34 |
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| 1-12 |
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Etude Nr. 12: Geschmeidigkeit Der Linken Hand |
1:49 |
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| 1-13 |
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Etude Nr. 13: Die Mögliche Geläufigkeit |
1:52 |
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| 1-14 |
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Etude Nr. 15: Spannungen Bei Großer Kraft |
1:59 |
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| 1-15 |
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Etude Nr. 17: Schnelle Moll-Skalen |
1:21 |
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| 1-16 |
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Etude Nr. 19: Spannungen Bei Ruhiger Hand |
1:46 |
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| 1-17 |
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Etude Nr. 22: Triller-Übung |
1:36 |
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| 1-18 |
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Etude Nr. 23: Leichter Anschlag Der Linken Finger |
1:52 |
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| 1-19 |
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Etude Nr. 24: Der Daumen Auf Obertasten Bei Völlig Ruhiger Haltung Der Hand |
1:28 |
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| 1-20 |
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Etude Nr. 25: Geläufige Deutlichkeit |
1:40 |
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| 1-21 |
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Etude Nr. 26: Die Möglichste Schnelligkeit In Akkordpassagen |
2:51 |
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| 1-22 |
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Etude Nr. 27: Unabhängigkeit Der Finger |
2:38 |
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| 1-23 |
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Etude Nr. 31: Zur Übung Des Daumens Bein Untersetzen |
1:26 |
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| 1-24 |
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Etude Nr. 32: Das Gleichmäßige Aufheben Der Finger |
2:01 |
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| 1-25 |
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Etude Nr. 33: Leichte Hand Bei Oktavensprüngen |
1:47 |
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| 1-26 |
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Etude Nr. 34: Terzentriller |
1:56 |
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| 1-27 |
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Etude Nr. 37: Kraftvolle Deutlichkeit |
1:30 |
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| 1-28 |
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Etude Nr. 40: Leichtes Abstoßen Der Akkorde |
1:32 |
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| 1-29 |
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Etude Nr. 45: Gebundene Melodie Bei Gebrochenen Akkorden |
1:36 |
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| 1-30 |
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Etude Nr. 49: Oktaven Mit Bravour |
2:29 |
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Études D'exécution Transcendante
Composed By – Franz Liszt
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| 2-10 |
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10. Appassionata |
4:18 |
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| 2-11 |
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11. Harmonies Du Soir |
10:22 |
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| 2-12 |
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12. Chasse-neige |
5:09 |
