Description
Brahms: Cello Sonatas Nos. 1 & 2; Variations and Fugue
Lynn Harrell
Stephen Kovacevich
AUDIO CD 1997
EMI Classics DDD
UPC 724357438926
Made in EU
Variations on a theme of Handel
TrackList:
Sample | Title/Composer | Performer | Time | |||
---|---|---|---|---|---|---|
Sonata for cello & piano No. 1 in E minor, Op. 38 | ||||||
1 |
Allegro non troppo
|
Lynn Harrell / Stephen Kovacevich
|
13:55 | |||
2 |
Allegretto quasi Menuetto
|
Lynn Harrell / Stephen Kovacevich
|
5:19 | |||
3 |
Allegro
|
Lynn Harrell / Stephen Kovacevich
|
6:13 | |||
Sonata for cello & piano No. 2 in F major, Op. 99 | ||||||
4 |
Allegro vivace
|
Lynn Harrell / Stephen Kovacevich
|
8:24 | |||
5 |
Adagio affettuoso
|
Lynn Harrell / Stephen Kovacevich
|
7:31 | |||
6 |
Allegro passionato
|
Lynn Harrell / Stephen Kovacevich
|
6:39 | |||
7 |
Allegro molto
|
Lynn Harrell / Stephen Kovacevich
|
4:11 | |||
8 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:52 | |||
9 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:47 | |||
10 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:37 | |||
11 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:35 | |||
12 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:45 | |||
13 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:05 | |||
14 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:01 | |||
15 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:33 | |||
16 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:36 | |||
17 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:10 | |||
18 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:33 | |||
19 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:48 | |||
20 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:49 | |||
21 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:18 | |||
22 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:38 | |||
23 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:40 | |||
24 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:30 | |||
25 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
||||
26 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:02 | |||
27 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:00 | |||
28 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
1:20 | |||
29 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:50 | |||
30 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:59 | |||
31 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:32 | |||
32 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:35 | |||
33 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
0:38 | |||
34 |
Variations (25) and Fugue on a Theme of Handel, for piano, in B flat major, Op. 24
|
Lynn Harrell / Stephen Kovacevich
|
5:03 |
Total Time: 78:13
Lynn Harrell Violoncelo / Violoncelle
Lynn Harrell (born January 30, 1944) is an American classical cellist.
Stephen Kovacevich piano/Klavier
Stephen Kovacevich (born October 17, 1940), who before 1975 was known as Stephen Bishop and then Stephen Bishop-Kovacevich, is an American classical pianist and conductor.
Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for symphony orchestra, chamber ensembles, piano, organ, and voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. An uncompromising perfectionist, Brahms destroyed some of his works and left others unpublished.
Brahms has been considered, by his contemporaries and by later writers, as both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Classical masters. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Embedded within his meticulous structures, however, are deeply romantic motifs.