Blues Voice II / Made in Germany / Audiophile UltraAnalog CD AAD

UPC 9787884817986

Product Details 

• Label: ABC Int. Records
• Manufactured in: Germany
• Format: High Definition Mastering CD
• Material: Digital Copy of the Master Tape
• Sound: Uncompressed Analog Sound, HD Mastering
• Edition: Limited Edition

Overview

The Blues Voice II CD is a tribute to the soul-stirring sounds of jazz and blues. Crafted with extraordinary HD mastering and a digital copy of the master tape, this album offers audiophiles an unparalleled listening experience. Featuring legendary female jazz vocalists and intricate arrangements, the album highlights the beauty of jazz ballads and blues standards, combining romance, charm, and smooth rhythms. This release brings the high-fidelity experience to your collection, fully embracing the emotions and timeless beauty of classic jazz vocals. Perfect for those who appreciate the smooth, unfiltered sound of high-definition analog.

Track Listing

1. My Funny Valentine – Jennifer Karl (4:55)
2. When I Fall In Love – Natalie Cole & Nat King Cole (4:09)
3. We've Only Just Begun – Salena Jones (3:45)
4. What A Wonderful World – Michelle Anna (4:55)
5. How Will I Remember You – Rosemary Clooney (4:12)
6. Loving You – Shirley Horn (4:21)
7. Cry Me a River – Rita Coolidge (6:00)
8. What A Difference A Day Made – Dinah Washington (2:27)
9. Stardust – Natalie Cole (4:38)
10. Let's Fall In Love – Diana Krall (2:48)
11. When Kafka Was The Rage – Kelly Flint (4:56)
12. Romance – Beth Gibbons (5:10)
13. The Man I Love – Gladys Knight (4:20)
14. What's New – Karrin Allyson (4:53)
15. The Look Of Love – Diana Krall (4:48)

Key Credits

• Mastering: HD High Definition Mastering
• Material: Digital Copy of the Master Tape
• Manufactured by: ABC Int. Records
• Manufactured in: Germany

             Blues originated as an expression of the individual and interactive social tradition of a displaced African American population. It began with the African American agrarian working class of the Mississippi Delta and combined African American and European American traditions, particularly hollers (field work songs) and British ballads. It was established by the late 1800s as primarily a vocal and improvisatory genre, often with instrumental accompaniment. Later it became a purely instrumental genre as well, and other blues regions developed—each with its own localized style. Until about 1930 there was a distinction between the earthier style of country blues and the smoother urban blues. Only after blues was well established did it broaden to include the white middle class and function as a form of entertainment.